“Film Comment Recommends: Rock Bottom Riser,” Film Comment Letter, Mar. 3 2022

“Sundance 2022 Critic’s Notebook: I Didn’t See You There, Jihad Rehab,” Filmmaker Magazine online, Jan. 30, 2022

“Sundance 2022 Critic’s Notebook: Fire of Love, Every Day in Kaimukī, and Shorts,” Filmmaker Magazine online, Jan. 24, 2022

“Sundance 2022 Critic’s Notebook: Mija, Mars One, Emergency,” Filmmaker Magazine online, Jan. 22, 2022

"'Made in Japan: Yamagata 1989-2021" A streaming extension of the Yamagata International Documentary Film Festival," Screen Slate, Jan. 18, 2022 

“Festivals: Physical is Virtual <> Virtual is Physical,” Notebook (MUBI), Issue 0, Nov. 2021

"Present Continuous: An Interview with Wang Qiong," SEEN (BlackStar Projects), Issue 3, Nov. 2021

"Giving Time: Amos Vogel and the Legacy of Cinema 16," Film Comment Letter, Nov. 11, 2021

"'Chipping Away at the Earth': A conversation with curator, film scholar and place-maker Greg de Cuir Jr. on desktop cinema aesthetics, handmade digital exhibitions and the metaverse now," Immerse, Apr. 1, 2021 

"Criticism," Berlin Critics' Week Magazine, Mar. 1, 2021

"Sundance 2021 Critic’s Notebook (Vadim Rizov and Abby Sun): Cusp and Close," Filmmaker online, Feb. 4, 2021

"Sundance 2021 Critic’s Notebook 1 (Abby Sun): CODASummer of Soul (…Or, How the Revolution Could Not be Televised)," Filmmaker online, Jan. 30, 2021

"How Forces Govern Lives: Alexander Nanau Discusses 'Collective,'" interview, MUBI Notebook, Mar. 10, 2020

"Messy, Energetic, Intense: A Roundtable Conversation among New York's Asian American Experimental Filmmakers of the Eighties with Roddy Bogawa, Daryl Chin, Shu Lea Cheang, and Rea Tajiri," with Vince Schleitwiler and Rea Tajiri, Film Quarterly, Spring 2020

"Art House Convergence 2020: Transparency and Crisis," Filmmaker online, Jan. 24, 2020

"Jonathan Olshefski's Fire for Quest," interview, ITVS blog, Jan. 23, 2020

"Self Reflection in Theater Two," essay, Filmmaker, Winter 2020

"Withdrawing To and Withdrawing From," essay for the 2019 Flaherty Seminar catalog, Nov. 2019

"When Documentaries Muddle the Truth Instead of Pursuing It," feature on post-film/pre-credits text, Hyperallergic, Sep. 18, 2019

Genesis (Philippe Lesage) review, Film Comment, Sep./Oct. 2019

"Focus: Yeh Freedom Life, A Life Fully Open To Love," Open City Documentary Festival, Aug. 22, 2019

Ash is Purest White (Jia Zhangke) review, Film Comment, Mar./Apr. 2019

“Eat Me,” feature on Caniba, Film Comment, Sep./Oct.2018

“Festivals: Taiwan,” Film Comment online, Jun. 19, 2018

“Emotional Truth: An Interview with Dylan Glynn,” Nat. Brut, Fall 2017


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